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Sunday, February 8, 2009

"The Newlyweds" - 1908 George McManus Watercolor (Signed)

Here is an interesting piece by George McManus. McManus was a good friend of Windsor McCay and McCay's film "Gertie the Dinosaur" (1914) may have been a result of a bet between the two. McManus evidently went on tour with McCay as he presented his new film. There has been some talk that McCay and McManus passed their time on the tour drawing the first animated porn film -- but I have not seen any specific evidence of this... But, it's an interesting thought.

The framing is unusual. The original 1908 frame was saved by a re-framing done in the 1940's.

"The Newlyweds" by George McManus

Here are some comments by the seller:
Here’s an interesting piece by George McManus of Maggie & Jiggs fame. These 3 signed watercolors by McManus are Specialty pieces he did of the 3 main characters from his ''Newlyweds'' strip in 1908. They are still in the original frame and in excellent condition. As you know, watercolors by strip artists are tough to come by. Thought you might like it. You know, one of the interesting things about it was how remarkably popular the strip was and that it only lasted for about 18 months! Using the idea of the remarkably beautiful woman married to the rather plain (or down right ugly) husband was a VERY unique thing at the time. It was a "gag" that became so integrated into American culture that you don't even think of it as a gag any more. but McManus did it first. The taste of the American public was growing and maturing at a fantastic rate. The measure of what was considered "beautiful" was changing almost alarmingly fast. McManus was one of the first artists in America to see the trend moving away from the "well rounded" woman to the more modern ideal of the slim, intelligent "backbone of the family" image. This basic theme carried through to his Maggie & Jiggs strip, who's instant popularity caused the demise of the earlier effort. Historically it's important because it was his first major success and it put McManus in the "right place at the right time" to develop the later strip. The actual art done for "The Newlyweds" was probably the best pure art McManus ever produced and the three paintings.

Here is the Wikipedia entry on McManus:
George McManus (January 23, 1884 – October 22, 1954) is an American cartoonist best known as the creator of Irish immigrant Jiggs and his wife Maggie, the central characters in his syndicated comic strip, Bringing Up Father. Born in St. Louis, Missouri of Irish parents, McManus had an innate gift for drawing and a sense of humor. He dropped out of school at age 15 to join the art department of the St. Louis Republic, where he created his first comic strip, Alma and Oliver. In 1904, after winning some money, he headed for New York City and a job with the prestigious New York World, where he worked on several short-lived strips, including Snoozer, The Merry Marcelene, Ready Money Ladies, Cheerful Charlie' and 'Nibsby the Newsboy in Funny Fairyland, Panhandle Pete and Let George Do It. In 1904, when McManus created the first American family strip, The Newlyweds, about an elegant young couple and their baby Snookums, the popularity of the strip prompted The New York American to invite McManus to join their paper, which he did from 1912 on. Renaming The Newlyweds as Their Only Child, he continued that strip and launched other daily strips: Rosie's Beau, Love Affairs of a Mutton Head, Spareribs and Gravy and Bringing Up Father. Syndicated internationally by King Features Syndicate, Bringing Up Father achieved great success and was produced by McManus from 1913 until his death, when Vernon Greene and Frank Fletcher took over. In 1995, the strip was one of 20 included in the "Comic Strip Classics" series of commemorative United States postage stamps. McManus died in 1954 in Santa Monica, California and was interred in the Woodlawn Cemetery in The Bronx, New York.

----- DATABASE NOTES -----

From George McManus’ “The Newlyweds” (1908). From George McManus’ “The Newlyweds” (1908). 3 signed watercolors by McManus are specialty pieces he did of the 3 main characters from his ''Newlyweds'' strip in 1908. Artwork is mounted in two frames: the original art and 1908 frame were placed in a larger frame in the 1940’s. [Images: 3 @ 8.5”W x 10.5”H; Frame: 31.5”W x 15”H] Acquired 2004. SeqID-1192 Updated: 7/16/2005

Saturday, February 7, 2009

"Nancy" - 1947 Pen and Ink by Ernie Bushmiller

I saw this piece when I had my company and was working through the issues of customer service. I thought it was an odd-ball piece that seemed to strike a cord with me at the time.

Nancy Pen & Ink

Here's some information on Bushmiller from Wikipedia...

Ernest Paul "Ernie" Bushmiller, Jr. (1905 - 1982) was an American cartoonist, best known for creating the long-running daily comic strip Nancy. Bushmiller's work has been repeatedly addressed by other artists: Andy Warhol made a 1961 painting based on "Nancy"; the artist and poet Joe Brainard made numerous works based on Nancy; and many cartoonists have produced work directly inspired by or commenting on Bushmiller's art, including Art Spiegelman, Bill Griffith, Mark Newgarden and Chris Ware. The American Heritage Dictionary uses a Bushmiller "Nancy" strip to illustrate its entry on "comic strip."
He was born in the Bronx on August 23, 1905 of immigrant parents. His father was also an artist. Bushmiller quit school at 14 to work as a copy boy at the New York World newspaper. At night, he took art classes at the National Academy of Design. Bushmiller married Abby Bohnet in 1930. They had no children.
In 1925, cartoonist Larry Whittington, creator of the comic strip Fritzi Ritz, left to produce another strip, Mazie the Model. Bushmiller then took over Fritzi Ritz, ghostwriting it, before eventually taking over officially. Bushmiller's name would not appear on the strip until May 1926. In 1933, Bushmiller introduced the character of Nancy, Fritzi's niece, to the strip. The character proved popular, and her appearances became more frequent and Aunt Fritzi's less frequent, so much so that the strip was renamed Nancy in 1938. Bushmiller also created the comic strip Phil Fumble, which ran from 1932 through 1938. Bushmiller worked briefly for film comedian Harold Lloyd in 1931, writing gags for the film, Movie Crazy.
Bushmiller was one of the founding members of the National Cartoonists Society. He received their Humor Comic Strip Award, and their Reuben Award in 1976 for his work on Nancy. In 1979, Bushmiller was diagnosed with Parkinson's disease, but continued to produce the strip with the help of assistants Will Johnson and Al Plastino. On August 15, 1982, Bushmiller died of a heart attack.

----- DATABASE NOTES -----

From “Nancy” (1947) by Ernie Bushmiller. A pen & ink of Nancy and customer service. Dated 9/2/1947. "Complaint Department." [Image: 18 5/8"w x 5 1/8"h. Frame: 24.5"w x 11"h] Acquired 1992. SeqID-0093

Friday, February 6, 2009

"Three Caballeros" (1945) [1 of 2] - Model Sheet

While the color of this image might give the impression that it is a photostat, it is an actual pencil drawing -- complete with erasures. While it's not in great shape, it's nice to have something from the film. I really liked the light pencil drawings of the legs and body features under the loose fitting cloths...

"The Kid" Model Sheet


----- DATABASE NOTES -----

From “The Three Caballeros: The Flying Gauchito Section” (1945). The Kid from the Flying Gauchito segment. Model sheet of The Kid. [Unframed Item: 15.25"W x 12.5"H] Acquired 1997. SeqID-0437 8/3/2005

Thursday, February 5, 2009

"The Three Caballeros" (1945) [2 of 2] - Panchioto Promo Photo

Here's is another promotional photo for theaters, newspapers and magazines. Nice characterization of Panchito.

Panchito Photo


----- DATABASE NOTES -----

From “The Three Caballeros: ‘Baia’ and ‘La Pinata’ Sequences” (1945). Promotional photo of Panchito. Scrapbook photo. [Unframed: 10"W x 8"H] Acquired 2003. SeqID-1419

Wednesday, February 4, 2009

Goofy Stuff [1 of 5] - Model Sheets in "Disney Dogs"

I just received a copy of "Disney Dogs" for my birthday from my wife, Jenny (thanks, honey!). A nice book with a number of excellent images...

Disney Dogs (2008)


As I was thumbing through the pages, I came to the section on Goofy. Some of the images looked oddly familiar. Sure enough, they were from model sheets I just finished posting...

For example, here is a scan of page 127... Notice the slight difference in the descriptive material next to the drawing...

Page 127 and Model Sheet SeqID-0502

Here is a scan of page 127 -- a large image of Goofy. On the model sheet, the same image can be seen on the upper left.

Page 127 and Model Sheet SeqID-0296

I have to say, it is a great feeling when you pick up a publication and see the same or similar artwork featured!

----- DATABASE NOTES -----

Disney Editions. “Disney Dogs.” New York: Disney Enterprises, 2008. ISBN: 978-14231-0920-4. [8”W x 8”H] Acquired 2009. SeqID-1952

Tuesday, February 3, 2009

Goofy Stuff [2 of 5] - Original Goofy Model Sheet

Here's a nice original model sheet...

Goofy Model Sheet



----- DATABASE NOTES -----

From an unknown film. Goofy model sheet. Excellent model sheet of Goofy in various poses. Notes: Looks to be original with some red pencil and circle sketching. Back: Number "37" on back. Many comments on the moods that are being described: "Eyes retain their same volume when stretched." [Item: 12"W x 10"H; Frame: 21”W x 19”H] Acquired 1998. SeqID-0296 Updated: 7/27/2005

Other comments: "Sides of snout turn up in a smile & the corners of the mouth show -- snout droops down in anger"; "Hairs follow brow down in a frown"; "Hit fits over top not"; "Crotch stretches"; "Mouthful"; "Ouch!"; Every costume the Goof wears is loose fitting & has a low crotch"; "Big shoulders when needed"

11/14/2000 Update From Seller: "This is an amazing image. It is the actual model sheet and not a tracing. I found the image in Walt Disney's Original Illustrated Biography, Chapter 'Bringing Goofy to Life' Published in 1985. HP Books, Tucson AZ. The image is identical to that in the book."

Monday, February 2, 2009

Goofy Stuff [3 of 5] - 1937 1st Gen Stat Model Sheet

Here is another 1st generation stat model sheet.

1937 1st Generation Stat Model Sheet


----- DATABASE NOTES -----

A stat model sheet of Goofy swinging a bat. Signed "Don Towsley 8/4/37" [Unframed Item: 12.5"W x 10"H] Acquired 2000. SeqID-0501 Updated: 11/1/2005

Sunday, February 1, 2009

Goofy Stuff [4 of 5] - 1937 1st Generation Stat Model Sheet

Like I've said before, even having an early "stat" of a model sheet is great to have. Here's a nice one.

1937 Stat Model Sheet


----- DATABASE NOTES -----

A stat comparative size model sheet of Goofy. Signed "Don Towsley 8/4/37" [Unframed Item: 12.5"W x 10"H] Acquired 2000. SeqID-0502 Updated: 11/1/2005

Goofy Stuff [5 of 5] - 1950's Promo Photo

Here's one of those interesting items that is nice to have in a collection. A display photo of Goofy.

Goofy Photo



----- DATABASE NOTES -----

From an unknown film (circa 1950). Goofy promotional photo. Scrapbook photo. [Unframed item: 8”W x 10”H] Acquired 2003. SeqID-1392 11/1/2005

Saturday, January 31, 2009

"Water Babies" (1935) [1 of 3] - Color Model Sheet

Here is a great image of the Babies riding two fish. Good image size. Good action. And a great example of color direction.

Color Model Sheet


----- DATABASE NOTES -----

From “Water Babies” (1935). The Babies (#40) are riding two fish coming out of the water. Some color direction on the sketch. [Image: 11-3/16"H x 8.5"H; Frame: 19-5/8"W x 16.5"H] Acquired 1990. SeqID-0145

Friday, January 30, 2009

"Water Babies" (1935) [2 of 3] - Pan Sketch

Here is a very nice pan sketch of the Babies riding a swan. This is the type of sketch that makes a wonderful addition to Baby's New Room... Sorry about the redish tint...

Pan Pencil Sketch


----- DATABASE NOTES -----

From “Water Babies” (1935). A very large pan sketch of the Babies riding swans. Extremely detailed and finely drawn. [Image: 22.5"W x 8.5"H; Frame: 30-3/4"W x 16-3/4"H] Acquired 1987. SeqID-0144 8/16/2005

Thursday, January 29, 2009

"Melody Time: Little Toot" - Note From Author's Daughter

A short time ago, I posted two items (Storyboard 1 and Storyboard 2) from "Little Toot." In those postings, I noted that the story reminded me of my own struggle to win the attention of my father.

Recently, I received this unexpected email:

Hi there, Bob,

Loved finding your blog with the pastel design sketches from "Melody Time" and "Little Toot".

My dad was Hardie Gramatky and I know he would have loved that the story of a child (tug) trying to please his dad resonated with you too.

Linda Gramatky Smith
I really had not done too much research into the background of Little Toot and I was amazed at what I found! While Little Toot was a large part of Gramatky's work, his artwork is fascinating.

(Copies of Gramatky's artwork are from the California Waltercolor website.)

What struck me, as I looked at the paintings, was that the images look like the digital images I take when I over-expose to pull out shadow detail. An extremely interesting and identifiable style...


I would strong suggest that you take a moment to check out the Gramatky web site written by his daughter Linda. I found the site well designed and Linda mentioned that her son deserves all the credit.

And you should check out Jeff Pepper's post 2719 Hyperion on Gramatky...

By the way, last year a new version of "Little Toot" was released featuring restored artwork. I've put in my order for five copies.

Here is an example of Gramatky's nautical art from the 1930's that shows some of the elements that were later found in Little Toot...


Linda's note was yet another wonderful, an unexpected, benefit I've encountered after starting this "blog." I wanted to use this space to personally thank her for taking the time to look at some of the items on this site and in sending me a note...

Wednesday, January 28, 2009

"Water Babies" (1935) [3 of 3] - Pencil Sketch

"Water Babies" is a great example of a Disney style of characterization that lasted for a fairly short period of time. You can see elements of these characters in "Little Mermaid" and other underwater cartoons.

"Water Babies" Pencil


----- DATABASE NOTES -----

From “Water Babies” (1935). Sea characters all marching. The octopus is the drum major. Circa 1932? 2-hole. [Item: 12"W x 9.5"H] Acquired 1998. SeqID-0385

Tuesday, January 27, 2009

"Three Blind Mouseketeers" (1936) [1 of 4] - Pencils from Ingeborg Willy Scrapbook

Here are some great scraps from "Three Blind Mouseketeers" that were in the Ingeborg Willy Scrapbook (see Archive on the right).

A fantastic background effect piece and a wonderful shot of the three of them...


Love the shoes...



----- DATABASE NOTES -----

From “Three Blind Mouseketeers” (1936). Ingeborg Willy Scrapbook

Monday, January 26, 2009

"Three Blind Mouseketeers" (1936) [2 of 4] - Pencil of the Three Mouseketeers

It's nice to have something from the "Three Blind Mouseketeers." The "one for all and all for one" attitude may have been one of the reasons for the name being used for the "Mouseketeers Club."

Director's Drawing: Three Blind Mouseketeers



----- DATABASE NOTES -----

From “Three Blind Mouseketeers” (1936). Pencil sketch of the Three Blind Mouseketeers. "83 84 85 86" "83" Looks like they're yelling, holding swords up high. Director's drawing. [12"W X 10”H] Acquired 2000. SeqID-0490
Reference: Similar image in Encyc of WD Animated Characters pg. 78.

Sunday, January 25, 2009

"Three Blind Mouseketeers" (1936) [3 of 4] - 2nd Generation Model Sheet

Here is another 2nd generation sheet. This time of Captain Cat (or "Katt" in some publications).

Note the references in the upper right...

2nd Generation Model Sheet


----- DATABASE NOTES -----

From “Three Blind Mouseketeers” (1936). An early photocopy of the Captain Cat model sheet. This phrase (Mouseketeers) became the name for the people in the Mickey Mouse Club. [14”Wx11”H] Acquired 1993. SeqID-0136
The reference books spell it "Katt," but the model sheet spelling is "Cat."

Saturday, January 24, 2009

"Three Blind Mouseketeers" (1936) [4 of 4] - 2nd Generation Model Sheet

Over the years, a number of copies of the original model sheets have been made. In some cases, there is some value in these copies -- especially the 1st generation "spirit" sheets. In the Studio, they used an early form of photographic development that used ultraviolet light and a variety of chemicals. When I worked for a city water department during the 1960's the same process was used to make copies of pipeline location survey sheets. Here is an early Xerox-type copy of 1st-generation "spirit" copy.

Comparative Size Model Sheet

----- DATABASE NOTES -----

From “Three Blind Mouseketeers” (1936). A stat model sheet showing comparative sizes. Seller: "Probably second generation model sheet.” Comparative model sheet. "Models S-36" "Prod 769-32" [14”Wx11”H] Acquired 2000. SeqID-0491

Friday, January 23, 2009

"The Worm Turns" (1937) - Color Pencil Storyboard

When I saw this image, I thought the detail was fantastic. I don't know what the formula is (left of hand).

Color Pencil


----- DATABASE NOTES ------

From “The Worm Turns” (1937). A color pencil sketch of Mickey’s hand and a book of potions that make someone brave. Mickey's hand in the picture. "Courage Builder" at the top of the page. [12”W x 9”H] SeqID 0150

Thursday, January 22, 2009

"Wynken, Blynken And Nod" (1938) [1 of 3] - Courvoisier Simulated Mulitplane

Here is a series on "Wynken, Blynken And Nod" (1938)

This is one of the most interesting Courvoisier items -- a set-up that simulated the layers in a multiplane camera.

The picture includes a glass foreground, a cel, another glass layer with several stars and a final painted background. Very nice. The item is a little small and you have to get close to actually see the multiplane effect.

Courvoisier Multiplane Simulation



----- DATABASE NOTES -----

From “Wynken, Blynken And Nod” (1938). Simulated Multiplane layout. Cel and painted background produced by Courvoisier Galleries from “Wynken, Blynken and Nod” (1938). [Image: 6-1/8"W x 5-3/4"H. Frame: 8-3/4"W x 8.25"H] SeqID-0279 8/3/2005

Wednesday, January 21, 2009

"Wynken, Blynken And Nod" (1938) [2 of 3] = Courvoisier

During this time, I think there were some exceptional work done by the Courvoisier Galleries. Here's one with some great attention to the background clouds

Courvoisier


----- DATABASE NOTES ------

From “Wynken, Blynken and Nod” (1938). Wynken looks at a cloud that looks like a sheep. In a cut out, "From Wynken, Blynken and Nod." Back of picture has Courvoisier Galleries (San Francisco) sticker. "This is an original painting on celluloid, actually used in the Walt Disney Production of... It is one of a selected few that have been released to art collectors. The remainder have been destroyed." A Silly Symphony film directed by Graham Held. [Image: 7-3/16"W x 6-9/16"H. Insert: 4"W x 5”H; Frame: 15"W x 14.5"H] SeqID-0151 8/3/2005

Tuesday, January 20, 2009

"Wynken, Blynken And Nod" (1938) [3 of 3] - Pencils From Ingeborg Willy Scrapbook

Here are some interesting pencils from the Ingeborg Willy Scrapbook (See references in the Archives Section). They are nice, full images and a great image of the boat. By the way, notice how the mast was changed to give more of an impression of the pressure of the wind filling the sail...

Scrapbook Pencils


------ DATABASE NOTES -----

From “Wynken, Blynken And Nod” (1938).

Monday, January 19, 2009

"Ye Olden Days" (1933) - Mickey & Minnie Pencils

I found these two images of Mickey and Minnie that I just love... Just super!

We didn't cut the sheets, but framed them in circular cut-outs to highlight the intimate nature of the images. The second sheet, with Mickey and Minnie behind the fan, is really fun -- the lips almost touching, etc.

Mickey & Minnie Pencils



The problem with the framing was that the images ended up in the wrong order. I thought the image of Mickey and Minnie behind the fan should have been on the bottom, with the two of them looking at each other on the top... One of these days, I'll fix it...


----- DATABASE NOTES -----

From “Ye Olden Days” (1933). Two images of Mickey and Minnie framed in circular cut-outs. 2-hole paper. (Top): Excellent image. 2-hole paper. NOTE: "109” in lower right. (Bottom): Slight crease upper left. Notes: "88" lower right. A Mickey Mouse film directed by Bert Gillett. [Item: 2 @ 12"W x 9.5"H. 2-Hole; Cut out: Oval 6”W x 5”H; Frame: 18”W x 23.5”H] SeqID-0051 7/27/2005

Sunday, January 18, 2009

"Superman" (1943) [1 of 3] - Pen and Ink Signed by Joe Shuster

This is a fantastic Superman pen and ink signed by Joe Shuster. There are a couple of unique elements here.

First, the size. By 1976, Shuster was almost totally blind but his blindness started many years earlier. Shuster compensated for has failing eyesight by drawing his boards quite large. Here, his Sunday page was drawn on 2-20"x14" boards instead of one.

Second, the strip includes one of the most famous Superman quotes -- Perry White: "Sometimes I almost think Clark Kent is Superman -- But of course that's ridiculous... Isn't it?"

Third, it's signed by Joe Shuster. As the story goes, Shuster tended to shy away from the public (due to his desire to keep his failing eyesight private). Evidently, there was a contest won by a young Superman fan andFirst Prize was this Sunday page. The youngster actually went to Shuster's office and was able to get Shuster to sign it for him.

Fourth, it has all many of the prime characters in it: Superman, Lois Lane, Perry White and Clark Kent.

Two 20"x14" Panels Signed by Joe Shuster


Here is what the finished product looked like in the Sunday Mirror.

The Sunday Mirror Sunday Page


Here is how the two pages were framed...


I've always been struck by the story of Superman's development and how Superman's creators failed to realize any significant financial reward for their efforts -- was was the case with many of the early cartoonists.

Here's some of the story about Shuster from Wikipedia:

Joseph Shuster was born in Toronto, Ontario, the son of Jewish immigrants. His father Julius, an immigrant from Rotterdam, South Holland, the Netherlands, and his mother Ida, who had come from Kiev in Ukraine, were barely able to make ends meet. As a youngster, Shuster worked as a newspaper boy for the Toronto Daily Star and, as a hobby, he liked to sketch. He had one sister, Jean Peavy. One cousin is comedian Frank Shuster of the Canadian comedy team Wayne and Shuster.

When Joe Shuster was 10, his family moved to Cleveland, Ohio. In Cleveland, Shuster attended Glenville High School and befriended his later collaborator, writer Jerry Siegel, with whom he began publishing a science fiction fanzine. The duo broke into comics at Major Malcolm Wheeler-Nicholson's National Allied Publications, the future DC Comics, working on the landmark New Fun — the first comic-book series to consist solely of original material rather than using any reprinted newspaper comic strips — debuting with the musketeer swashbuckler "Henri Duval" and the supernatural crime-fighter strip Doctor Occult, both in New Fun #6 (Oct. 1935).

Siegel and Shuster used an early version of the character that would become Superman in short stories and in a 1933 comic-strip proposal. In 1938, after that proposal had languished among others at National, editor Vin Sullivan chose it as the cover feature for National's Action Comics #1 (June 1938). The following year, Siegel & Shuster initiated the syndicated Superman comic strip.

When Superman first appeared, Superman's alter ego Clark Kent worked for the Daily Star newspaper, named by Shuster after the Toronto Daily Star, his old employer in Toronto. According to an interview he gave a few months before his death, he modeled the cityscape of Superman's home city, Metropolis, on that of his old hometown. When the comic strip received international distribution, the company permanently changed the name to The Daily Planet.

In the same interview, Shuster stated that he modeled the look of Clark Kent after both himself and movie star Harold Lloyd, and that of Superman after Douglas Fairbanks Sr. He modeled Lois Lane after Joanne Carter, the woman who would later marry Jerry Siegel

Shuster became famous as the co-creator of one of the most well-known and commercially successful fictional characters of the 20th century. National Allied Publications claimed copyright to his and Siegel's work, and when the company refused to compensate them to the degree they believed appropriate, Siegel and Shuster, in 1946, near the end of their 10-year contract to produce Superman stories, sued National over rights to the characters. They ultimately settled the claim for $94 000 after the court ruled against them — but that the rights to Superman had been validly purchased by the publisher when they bought the first Superman story. After the bitter legal wrangling, Shuster and Siegel's byline was dropped by DC comics.

In 1947, the team rejoined editor Sullivan, by now the founder and publisher of the comic-book company Magazine Enterprises where they created the short-lived comical crime-fighter Funnyman. While Siegel continued to write comics for a variety of publishers, Shuster largely dropped out of sight.

Shuster continued to draw comics after the failure of Funnyman, although exactly what he drew is uncertain. Comics historian Ted White wrote that Shuster continued to draw horror stories into the 1950s. In 1964, when Shuster was living on Long Island with his elderly mother, he was reported to be earning his living as a freelance cartoonist; he was also "trying to paint pop art — serious comic strips — and hope[d] eventually to promote a one-man show in some chic Manhattan gallery". At one point, his worsening eyesight prevented him from drawing, and he worked as a deliveryman in order to earn a living. By 1976, Shuster was almost blind and living in a California nursing home.

In 1967, when the Superman copyright came up for renewal, Siegel launched a second lawsuit, which also proved unsuccessful.

In 1975, Siegel launched a publicity campaign, in which Shuster participated, protesting DC Comics' treatment of him and Shuster. In the face of a great deal of negative publicity over their handling of the affair (and due to the upcoming Superman movie), DC's parent company Warner Communications reinstated the byline dropped more than thirty years earlier and granted the pair a lifetime pension of $20,000 a year plus health benefits. Joe Shuster died in Los Angeles, California in 1992.

----- DATABASE NOTES -----

From Siegel & Shuster’s “Superman” (1943) -- Pen & Ink Sunday page signed by artist Joe Shuster a few years before he became blind. Matching color printed page. Jerry Siegel & Joe Shuster “Superman” Sunday page. This not only has Superman, but Lois Lane, Perry White and Clark Kent in it as well. [Frame: 29”W x 37”H; Images: 2 @ 20”W x 13.5”H -- Sunday color: Frame: 16”W x 20”H; Image: 9.5”W x 13.5”H] Acquired 2004. SeqID-1147 Updated: 7/27/2005

Saturday, January 17, 2009

"Superman" (1941) [2 of 3] - Stat Model Sheet Ok'd by Dave Fleischer

This early stat Superman model sheet is a little different because it's focus is only the head positions. The large head positions makes it a very striking piece.

If you have had a chance to watch any of these early Superman cartoons, the images along the bottom page are wonderful examples on Superman's "almost smile" that shows up in all the films.

Superman Model Sheet OK's by Dave Fleischer


----- DATABASE NOTES -----

From Fleischer/Famous Studios “Superman” (1941). A Fleischer Studios Superman stat model sheet showing the head sizes for Superman signed by Dave Fleischer. "Aug. 1941" "OK Dave Fleischer" [Item: 12"W X 11.25"H] SeqID-0527

Friday, January 16, 2009

"Superman" (1985) [3 of 3] - Wayne Boring Pen and Ink

Here's a nice Superman piece by Wayne Boring from 1985.

What makes the piece unique is the post-publication drawing of superman that Boring drew on the board. Mr. Boring signed the piece (lower right). I think Boring was a very gifted artist and I've always felt it was sad that he ended his career as a bank security guard...

Wayne Boring Pen & Ink from 1985



Here's the write-up on Boring from the Wayne Boring website:

Wayne Boring (who also used the pseudonym of "Jack Harmon") was born in Minnesota in 1905. His early flare for drawing led him to enroll in art schools, including the Minnesota School of Art and the Chicago Art Institute.

He began in the comic business in 1937 by ghosting detective strips by mail such as Slam Bradley, Spy and Dr.Occult for the studio of artist Joe Shuster and writer Jerry Siegel, who had joined DC (then called National Periodical Publications), the year before they created the character that would be known as Superman.
Boring was one of the earliest ghosts to work on the Superman comic strip, and would eventually take it over completely. He left Shuster's shop in 1942, after he was hired by DC to work for them directly. The following year Stan Kaye started inking Boring's pencils on a regular basis, which began an historic team-up that lasted almost two decades.

In 1948, when Siegel and Shuster had quit DC and launched a copyright lawsuit against them (which they would ultimately lose), the door was swung wide open for Boring. Siegel and Shuster's departure from National also coincided closely with editor Mort Weisinger's taking control of the Superman series back from Jack Schiff.

Also being one of the first artists to ever do a ghost job on the Superman comic itself, Boring's work soon grew so popular with the fans that he took over the character, drawing it throughout the decade of the late '40s, and '50s. In the early '60s most Superman duties were handed down to new Superman artist Swan.
While Boring's '50s version of Superman was being printed, the first run of The Adventures Of Superman TV series (1951-1957) began airing, which starred George Reeves, the greatest actor who will ever portray the Man Of Steel.

Boring's work is easily recognizable, being composed of well-applied influences of artists like Alex Raymond of Flash Gordon fame, meshing with his own highly stylized sci-fi oriented artwork.

He was still working at DC in 1967 when he was dismissed during an all-out purge of several "old school" artists. That purge also included George Papp (creator of Green Arrow) and Sheldon Moldoff (creator of Green Lantern).

However, he still wasn't done yet, as he embarked upon more syndicated strip work, such as ghosting backgrounds for Hal Foster's epic Prince Valiant Sunday page from 1968 until 1972, as well as ghosting Sam Leff's Davy Jones strip.

For a short period after 1972, Boring even worked at Marvel on a few titles, ironically including Captain Marvel, which had once been embroiled in a lawsuit over its resemblance to the Superman comic (Captain Marvel's publisher, Fawcett, had lost).

But eventually Boring decided that was enough, and he left the comics field entirely. In his golden years he could still be found working, though, part-time as a bank security guard, before a heart attack claimed him in 1987.

His incredible decade-plus run on the Superman comic rivals even the great 1960s decade run by Jack Kirby on Fantastic Four for Marvel comics. His style easily managed to rise above the more cartoonish look of Superman co-creator Shuster and the more calculated and conservative line work of Swan.

As a result, Boring's work on Superman still remains the best version of the most popular character in comics history.

----- DATABASE NOTES -----

From “Superman” (1985) by Wayne Boring. A prison sequence, with Clark Kent dated 1/13/60 on reverse. On the front “Week 6”, “1-30” and “8150.” No syndicate indicated. Wayne Boring signed the strip and hand drew the additional Superman into the strip (“Wayne Boring Pampano Beach ‘85”). [Image: 19 7/16"W x 7-9/16"H. Frame: 28"W x 16.25"H] SeqID-0133 7/27/2005